Research On The Decorative Expression Of Contemporary Freehand Flower And Bird Paintings

Freehand flower and bird painting,as one of the painting forms with national art characteristics in China,is widely sought after for its unique artistic charm.It has gone through the pursuit of Chen Chun,Xu Wei and others for the charm of pen and ink,to the exaggerated modeling of the Badashanren,and then to Lin Fengmian's fusion of Chinese and Western expressions.During this period,the decorative nature of freehand flower and bird paintings also gradually became prominent.This was inseparable from the painter's development of pen and ink,patterns,colors and other languages,emphasizing his own decorative beauty.With the development of the times,people ' s artistic concepts and aesthetic methods have also changed subtly.When figure painting and landscape painting pursue formal aesthetics,artistic features such as decorative beauty,flatness,and formality of freehand flower and bird paintings are also significantly enhanced.Sexual performance is getting more and more attention,and many artists try to show the decorative beauty in their works.For example,the freehand flower and bird paintings by Yao Simin,Mei Zhongzhi,Chen Jialing,Zhang Guiming and others made bold attempts in the use of decorative expression elements,exploration of material texture,and the expression of decorative texture,forming a unique decorative style.This article analyzes and demonstrates the decorative performance of contemporary freehand flower and bird paintings.First,the contemporary freehand drawing of flowers and birds is explained,the concept of decorative expression is pointed out,and the guiding position of freehand spirit is established,and the study of decorative expression cannot be separated from the essence of freehand spirit.Secondly,trace the origin and development of the decorative performance of freehand flower and bird painting,and understand the different performance of decorative performance ineach period.By combing the context,the characteristics of decorative performance in different periods are clarified,and typical works representing painters are listed for case analysis.Then,based on the four levels of the change of creative consciousness,the needs of multiple aesthetics,the impact of Western art,and the influence of Japanese flower and bird painting,the reasons for the decorative expression tendency of freehand flower and bird painting are analyzed.Thirdly,through a large number of works,the basic elements of decorative expressions of freehand flower and bird paintings are emphasized,and their contents include explicit and implicit decorative elements,the derivation of decorative shapes,decorative interest in brushwork,multi-dimensional decorative patterns,There are five aspects of the decorative color.At the same time,a large number of works of representative painters are listed for case analysis to determine the decorative expression elements that the picture needs to have.It is further pointed out that,in addition to having basic decorative elements,it can also explore and innovate from the aspects of choice of materials,construction of textures and textures,and changes in mounting systems.The author used some decorative elements for his own creative practice,and gradually formed a unique decorative picture.By combing the creative experience,he concluded that the picture emphasizes the decorative performance and needs to grasp the scale,and has a deeper understanding of how to create decorative aesthetics.The contemporary freehand flower and bird painting emphasizes decorative performance,which is in line with the development of aesthetic orientation and the embodiment of the spirit of the times.At the same time,it also shows that under the premise of upholding the traditional freehand spirit,freehand flower and bird painting has never stopped seeking new directions.Therefore,the study of decorative performance can better understand the current aesthetic trends and artistic concepts,provide new ideas for creation,and have in-depth research on the aesthetic value and significance of the times.