A Comparative Study Of Qiong-Miao And Gui-Miao’s Sacrifice Dance Styles From The Perspective Of Stage Creation

Hainan Miao is the second largest minority in Hainan Province.It has a history of more than 400 years.It mainly distributes in Wuzhishan,Sanya,Qiongzhong,Baoting and other areas.Panhuang dance originated from the primitive ancestor worship of the Miao people in Hainan.It is the most complete sacrificial dance retained by the Miao people in Hainan.However,its style and rhythm system has never been excavated and sorted out.There is no theoretical and practical research on dance ontology.Guizhou is the fifth Miao migration settlement According to the 2010 census,the Miao population in Guizhou is 396,8400,which is the province with the largest Miao population in China.The sacrificial dance is one of the main dances of Miao nationality in Guizhou.There are many kinds of sacrificial dance of Miao nationality in Guizhou,such as Wood Drum dance,Jinji dance,Lusheng dance,etc.Its development is relatively perfect.The Wood Drum Dance,which spreads in Fanpai village of Taijiang County,Guizhou Province,is an ancient sacrificial dance of Miao nationality.The performances of Wood Drum Dance are similar to Panhuang Dance in form of inspiration.However,the national character derived from different cultural environments is different,and the style embodied in the dance body is different.Compared with Panhuang Dance,The Wood Drum Dance has a complete teaching and performance system,which has a certain reference significance.This paper systematically collates the style and rhythm characteristics of Panhuang Dance of Miao nationality in Hainan through field investigation.On this basis,focusing on the comparative study of the style and rhythm of sacrificial dance of Miao nationality in Guizhou and Miao nationality in Hainan,this paper analyses the style and rhythm of Qiong-Miao and Gui-Miao sacrificial dance from the angle of stage creation,compares the similarities and differences.This paper summarizes the similarities and differences of Miao dance creation methods under different development forms and different style systems.