Emotional Grasping In Prairie Songs

Prairie songs are a genre of music that is based on the music culture of ethnic minorities in the north.It has long been loved by people for its emotional richness and profound connotation.With the development of the construction of music disciplines,grassland songs have gradually been accepted by professional college learners.And presented in the form of bel canto and folk sound.This article focuses on grassland songs.Analyze and elaborate on the problem of emotional grasp in the singing process.The song "The Grassland" is a song composed by Hugo,a famous Mongolian composer in Inner Mongolia.The song shows the connotation of "protecting the ecological environment".The style is melodious and affectionate.This article uses this song as a case study,combining personal professional research directions with different versions to explain the emotional grasp of soprano singing.Through research and analysis,it is found that the song "the grassland" mainly presents a two-stage structure in terms of music structure.Repeat the melody with different lyrics,The melody exhibits a "Nogola" vibrato effect,The lyrics also express the songwriter's attachment to his hometown.In the understanding of Prairie song singing,it mainly expounds the view that technology serves art.In terms of subjective cognition,it elaborates on the two ways of singing: "talking" and "screaming",and how these two singing methods are displayed in the song.Combining performer experience,perspective,and the influence of things to carry out emotional expression from the "state" is an important way to grasp the emotion of the song.In the end,it compares the different singing methods and different ways of emotional control with other singers.