Grassland Feelings Written History

Art magazine since its publication in 1950,the Inner Mongolia art works recorded show its unique national cultural connotation.To explore the artists involved in the scope of the field and the art itself is presented the face in the process of development of Inner Mongolia art by art of the criticism and analysis of the means.Through taking the easel painting in Inner Mongolia art as the main research object,which is recorded in the art magazine,and detailed analyzing the social landscape,the economic class,the cultural environment and the art show in Inner Mongolia art to rethink the artistic environment and artistic features of whole Inner Mongolia.Based on the objective material and the particularity of the problem,this paper makes a comprehensive reading of the passion for grassland expressed by the artistic language as an intermediary in Inner Mongolia art by means of artistic psychology,iconology,semiotics and aesthetic sociology.Really penetrate the complexity of contradictions to reveal the essence of reality.The growth of Inner Mongolia art is synchronized with the development of the art in New China.Under the root of national culture connotation and the context of multiculturalism,the field of art is developing step by step,showing the development momentum of multidisciplinary and intercultural.Inner Mongolia art comes into being a multi-cultural connotation of the modern art forms,and showing the grassland new look which is under today's social background of national unity,prosperity and strength.