On The Inner Mongolia Grassland Culture And The Creation Of Grassland Theme Chinese Painting

Grassland culture is a long process for human beings to adapt to the objective environment in order to survive and develop.Any kind of cultural system has its independent existence value,and Inner Mongolia grassland culture is no exception.This paper discusses the connotation and formation of Inner Mongolia grassland culture,and the emergence of grassland culture and grassland theme Chinese painting.Grassland culture has a long history,deep connotation and wide extension.This paper focuses on the cultural life of the ancestors of Mongolian grassland,who have been living in harmony with the grassland ecological environment for generations.It is this kind of environment that nurtures the grassland painters of different ages.Shen Yiqian,the early creator of the grassland theme ink figure painting,this paper talks about Shen Yiqian’s creation of the grassland theme Chinese painting,which lays the foundation for the modern grassland theme Chinese painting.Although there are many Chinese painters who also create grassland works,this paper chooses Wu tuanliang,Zhou Rongsheng and Hai RIHAN as examples.The reason is that the works of these three artists are mainly about grassland life,and they are also the representative painters of Chinese paintings that show the theme of ethnic minorities.Their paintings show the artist’s artistic personality and style They won many awards in the national art exhibition.Their Chinese paintings are favored by some international people and carry forward the national cultural spirit.This paper is divided into five chapters.The first chapter mainly discusses the reasons and significance of the topic,explores the creative style of the representative works of Grassland Painting School,explores the connotation of grassland culture and the creation of Inner Mongolia ethnic minority themes.In addition,this chapter analyzes the concept of "Chinese painting".Write the literature review and the shortcomings and innovations of this study.The second chapter explains the connotation and origin of grassland culture.Mongolian and other ethnic minorities form a broad and profound grassland culture.It shows a unique spiritual civilization of grassland people,weakening the sense of material belonging,and enriching the spiritual home of people.It is these inspirations that give painters the creation that give birth to the grassland theme Chinese painting with dynamic spirit.The third chapter explains the early creation of Inner Mongolia grassland Chinese painting,and the development of grassland theme Chinese painting has experienced the initial stage,development stage and expansion stage.The fourth chapter explains the theme creation of grassland culture and the diversified creation tendency of Chinese painting style.Taking the paintings of Wu tuanliang,Zhou Rongsheng and Hai RIHAN as examples,this paper makes an art analysis and research.The fifth chapter explains the inheritance and future of grassland culture and Chinese painting creation.This paper studies the diversified elements of grassland culture theme Chinese painting,which is influenced by Western painting.The aesthetic orientation of painters is analyzed and studied.The conclusion summarizes the above analysis and research,and concludes the three artists’ creative style of Chinese painting,as well as the impact of the present on the future.Through the analysis and study of the three artists’ Inner Mongolia ethnic minority theme of Chinese painting creation,the study of their painting style has both commonness and individuality.They all pursue the innovation of Chinese painting art from the perspective of individuality,and successfully show the new life and spiritual outlook of grassland ethnic minority with different artistic techniques.Their artistic practice shows that: the style innovation in the category of Chinese painting is conducive to the development of grassland civilization in Inner Mongolia.The excellent creation of Chinese painting with ethnic themes is also inseparable from the innovation of artistic style.The spread of grassland culture is conducive to the development and expansion of the field of grassland theme Chinese painting creation in Inner Mongolia.