Flower And Bird Paintings In Song And Ming Dynasties From The Perspective Of Realm Theory

As an aesthetic theory that has been integrated into the ancient and modern times,wang guowei's aesthetic thought of "realm theory" mentioned in "human ci hua" was put forward for the poetry of the song dynasty,but it has the meaning and content of realm beauty,which is different from the meaning of realm beauty known to people at present.But as yu pingbo points out,what is implied in the book,if cited,can be summed up completely.Besides,poetry and painting have always been in harmony and complementary to each other.It is well known that Chinese flower and bird paintings are integrated with poetry and painting,and poetry into painting is also a major feature.Therefore,wang guowei's "realm theory",an innovative aesthetic thought,also has great guidance and reference significance for the art of painting.So I will wang guowei's theory of poetry aesthetic papers and creation,introduced "realm",and combining the two song flower-bird painting and flower and-bird painting both Ming and qing dynasties is famous for its different mainstream aesthetic style of the art of painting,this paper explores the different realm beauty,so as to bring today's flower-bird painting creation inspiration and add a new realm of meaning.This paper discusses from the following three parts.In the first part,the author analyzes and compares the flower and bird paintings of the two song dynasties and the Ming and qing dynasties based on their different artistic connotations,different historical backgrounds and different mainstream style characteristics,and discusses the reasons for the different states of beauty between the two song and Ming dynasties.The second part,from the Angle of wang guowei's aesthetic thought of "realm theory",analyzes and compares flower and bird paintings in song dynasty and Ming and qing dynasties.From the song dynasty flower and bird painting "without my environment" and Ming and qing dynasties flower and bird painting "have my environment";The flower and bird paintings of the song dynasty and the Ming and qing dynasties were "the beautyof quietness" and "the great strength of movement".This paper makes a comparative study of the "writing mirror" and the "creating environment" of the flower and bird paintings in the song dynasty and the Ming andqing dynasties,and analyzes the differences between the two song and Ming dynasties flower and bird paintings based on the aesthetic thought of guowei's "realm theory".The third part is about the influence and inspiration on the artistic creation of today and myself from the aesthetic feeling of different states of flower and bird painting in song dynasty and Ming and qing dynasty.Flower and bird painting in song dynasty and Ming and qing dynasties had a profound influence on the study and creation of modern flower and bird painting.Chinese flower-and-bird painting has always been famous in the world for its high style and high realm,which is different from other art paintings.The flower-and-bird painting of the two song dynasties and the flower-and-bird painting of the Ming and qing dynasties have always been the two peaks in the historical development of China's flower-and-bird painting.Based on wang guowei's aesthetic thought of "realm theory",the theory of poetry aesthetics into the painting,so as to bring a new realm of beauty for the creation of contemporary flower-and-bird painting.