Music Analysis Of Yue Opera Liang Shanbo And Zhu Yingtai

"Liang Shanbo and Zhu Yingtai" is a representative drama in Yue opera.It has survived in the long history and won the audience's favor with its fresh and elegant unique style.The author takes the Yue Opera "Liang Shanbo and Zhu Yingtai" as the research object,and uses the methods of literature research and image research to analyze the relevant materials of the repertoire,so as to explore the musical form of this classic drama.The author divides the article into three parts to analyze Yue Opera "Liang Shanbo and Zhu Yingtai".The first chapter briefly introduces the historical origin and artistic characteristics of Yue opera.Yueju Opera first appeared in the form of "singing on the ground",in the middle of which,it continued to reform and develop in the period of "Xiaoge class" and "Shaoxing cultural opera",and finally gradually matured in the period of "women Yueju Opera",and formed a unique style in singing,patterning and embellishing.The second chapter analyzes the script of Yue Opera "Liang Shanbo and Zhu Yingtai",which includes six aspects: script change,drama theme,drama stage,character introduction,plot overview and analysis of the whole drama structure chart.It also shows the stage,event,character contradiction,location and singing segment of the whole drama in the form of chart,and clearly lists the music singing segment of the main actors ? The third chapter is the key chapter of this paper.The author starts from two aspects of the structure of the aria and the method of moistening the aria,and analyzes the internal aria form of the two key stages of the Yueju Opera "liangshanbo and ZhuYingTai" in combination with the music score examples and charts,i.e.the eighteen phase farewell "and" loutaihui ".In the 18 phase farewell,most of the singing mood is expressed by the boards of [Chinese board],[adagio] and so on.In the loutaihui,the changing boards of [Xiaoban],[Sanban] and so on are used to express the mood of sadness,anger and pain.Secondly,in the singing structure,the methods of "trembling cavity","cushion cavity","beating cavity","closing mouth","gourd cavity" and so on are used to moisten the cavity,These methods play an important role in enriching the singing form,rendering the story atmosphere,and strengthening the characterization.