"National Melody" And "Regional Melody"

The Mongolian nationality has a long history and profound culture.Mongolian people are hospitable and good at singing and dancing.Music is an indispensable part of Mongolian people's life and is closely related to their history and culture.Among them,folk songs,as the most abundant and most widely spread form of Mongolian traditional music,reflect various aspects of Mongolian people's life and are the sustenance of their spiritual life.Mongolian distribution across several provinces in our country,which is important in Inner Mongolia and xinjiang Mongolian populated areas,both Mongolian people have a common origin,cultural and historical background and living habits,etc.,so both in different regions,but in terms of ethnic origin,culture,traditional music is shaping and links.This paper takes Inner Mongolia and xinjiang Mongolian folk songs as the research object,and through the comparative analysis of the structure of the folk songs,obtains the homology characteristics of the structure of the folk songs.Mongolian folk songs can be divided into two types: long tone and short tone.A comparative study of the long and short melodies in Inner Mongolia and xinjiang can provide a comprehensive understanding of the overall features of Mongolian folk songs in the two places,so as to better summarize the structural characteristics of the homologous melodies of the folk songs in the two places.This paper is divided into the following four chapters:Chapter one: the development and classification of Mongolian folk songs.The historical stages of Mongolian music and the development of folk songs are reviewed.Then from the subject matter,genre two aspects of its classification division,so as to make the following two folk song classification and comparison of theoretical support.Chapter two: research on the congener melody structure of long tune folk songs.This chapter is the key part of this paper,which probes into the homologous melody structure of Mongolian du-tune folk songs in Inner Mongolia and xinjiang from five aspects: scale and temperament,mode and tonality,rhythm and rhythm,characteristics of melody form and body structure.Chapter three: research on the structure of homologous melody of short tune folk songs.Based on the theoretical foundation of the second chapter,this chapter focuses on the characteristics of rhythm,style and melody development in the two regions.Chapter four: the cause of formation of homologous melody structure of Mongolian folk songs in Inner Mongolia and xinjiang.This chapter starts with the "five states" of the genetic genes of folk music,explores the causes of the homology of folk songs in the two places,andcompares the research contents from the perspectives of musical anthropology and musical aesthetics.