The Inheritance And Development Of Contemporary Yangqin Art From The Perspective Of Musical Sociology

Yangqin,as a minority traditional musical instrument popular for many years in China,has always been in the "primary stage" of development since the introduction of the Ming Dynasty to the period before the founding of the people's Republic of China.Restricted by the objective conditions at that time,the dissemination and development of Yangqin in China is still less mature than other national musical instruments.After the founding of the people's Republic of China,with the rapid development of society,politics,economy and culture,the art of dulcimer has also rapidly moved towards the direction of professional and systematic teaching,and the development of dulcimer music has gradually entered a prosperous period.In the half century of specialized teaching,the dulcimer art system has been developing continuously,and the most changing period is from the end of the 20 th century.In this period,the dulcimer art has made no achievements in any previous development stage,no matter in performance skills,music creation,teaching system and other theoretical aspects,or in the application of instrument reform,music communication and development Legal.Based on the theory of music sociology,this paper introduces the development and communication process of dulcimer into the concept of music sociology,and makes the development and communication process of dulcimer music become a musical phenomenon from the perspective of music sociology.First of all,it introduces the development of Yangqin art before and after the founding of the people's Republic of China.According to the principle of music sociology,it makes a basic sociological analysis of the communication and development of Yangqin art.Combined with the production structure characteristics of Yangqin music,it systematically explains the initiative,attribute,multiplicity and servo production in the creative activities of Yangqin music.Secondly,on the basis of music sociology,this paper analyzes all kinds of music phenomena in the development of dulcimer art,and summarizes the internal motivation of dulcimer art as a social phenomenon to continue to spread and develop.This paper roughly classifies the audience groups in the process of communication of dulcimer art,and specifically analyzes the types and transformation relations of the three audience groups.It points out that there are differences and deficiencies in the audience groups and communication methods.The grass-roots development of dulcimer art is not as good as the high-level development,so it is necessary to explore new teaching and communication methods according to the social development and keep pace with the times.Finally,by analyzing the reasons why Yangqin art has been loved by the masses of people in the process of development and communication of Chinese society,it proves that the principle of music sociology is applicable to all kinds of musical instruments and everything,that is,no matter how the time and space changes,it should follow the general objective law of things development.