A Study On The Accompaniment Art Of Hu Qin In Sichuan Opera

Sichuan opera music includes aria music and accompaniment music.According to the different types of aria,there are five kinds of tunes: "Kun,Gao,Hu,Tan,Deng".In addition to the high tune "not into the orchestra",Kun Opera uses flute accompaniment,the main musical instruments corresponding to Hu,Tan,Deng are Xiaohu Qin,Ganbanzi,Pangtongtong,all of which are huqin.Therefore,the main musical instruments of Sichuan Opera are diverse.The accompaniment function of Hu Qin as the main instrument of Sichuan Opera is their natural attribute,and their social attribute is worth discussing.Their natural attribute and social attribute together constitute the accompaniment art of Hu Qin as the main instrument of Sichuan Opera.This paper combines the history,the basic means of expression and the form of accompaniment music of the main Hu Qin in Sichuan Opera,discusses the natural attribute of the main Hu Qin as accompaniment and its social attribute.The first chapter is the introduction part of the thesis,including the reason of choosing the topic,the explanation of related concepts,the research status at home and abroad,and the research methods of the thesis;the second chapter,based on the research results of the predecessors,uses the research methods of literature research and field investigation to infer the historical origin and development status of the main performance of huqin in Sichuan Opera;the third chapter,analyzes the music performance of the main performance of huqin,This chapter takes Mr.Chu Li's definition of "musical expression means" as the research basis,analyzes the basic expression means(timbre,pitch)and stereotyped expression means(performance method)of Sichuan Opera's main performance of huqin music,and analyzes the role of the main player of Sichuan opera based on the interview and oral statement of the piano player of Sichuan Opera;chapter four uses the analysis method of traditional Chinese music form to explore the Xiaohu Qin,Ganbanzi,Pangtongtong,The basic law of huqin and chutuba accompaniment music,and then the aesthetic connotation of the commonness and individuality of Chinese traditional music reflected in the main huqinaccompaniment music of Sichuan Opera,as well as the mapping of Sichuan humanistic characteristics,summed up its social attributes.