Research On The Representative Music Works And Its Singing Of Mao Zedong's Snow-to The Tune Of Chin Yuan Chun

Written in 1936,Snow-to the Tune of Chin Yuan Chun is one of the most outstanding poems of Mao Zedong to borrow the view to express his ambition.Since its publication,it has been composed by numerous composers.From the 1950 s to the1970 s,the number of music created on this theme reached a peak.However,music works in different periods reflect people's aesthetic orientation towards music at that time,and music creation and singing style also change with people's aesthetic orientation.Nowadays,with the continuous influx of multi-cultures,pop music,as a modern mainstream music,is deeply loved by the masses.In 2019,the poem Snow-to the Tune of Chin Yuan Chun returned to the public in the form of pop music for the first time.People had a new cognition and understanding of Mao's poetry while listening to the song.From the perspective of representative music works of the Snow,this paper selects three works as reach objects,including the solo work composed by Li Jiefu,the chorus work composed by Tian Feng in the Cultural Revolution and the pop music composed Liu Jinbo in modern times.This paper is carried out from four levels.First of all,it briefly expounds the creation background and poetry characteristics of the Snow.Secondly,it mainly analyzes the historical background and creation features of the three research objects.Then,the singing characteristics and aesthetics of the three works at various time are deeply studied.Last but not least,it concludes the influences of the three representative music works of Snow-to the Tune of Chin Yuan Chun,demonstrating the time value and practical significance of promoting and inheriting Mao Zedong's poetry.