Exploration Of The Second Creation In The Performance Of Double Bass Works

How to better perform the second-degree creation is a question that has always been explored by the music performance profession.Excellent performers can not only play the connotation given by the composer,but also use their own performances to infect the audience and give new value to the work.This article focuses on bass The theme of the second exploration of the composition of the violin performance is Henry Eccles' Sonata in G minor as an example.The main research methods are: literature search method and practical inquiry method.The article is divided into three parts: First,taking "G Sonata in G minor" as an example,it analyzes the musical ontology of the composer's life,composition background,and four musical composition structures;second,summarizes the second-degree creation in double bass performance from a theoretical perspective,Including what is second-degree creation,the principles and significance of second-degree creation,how to perform second-degree creation in double bass performance;third,recording of three versions of the fourth movement of "G Sonata" in G minor,and visualizing music performance by Vmus.net production Contrast and analysis,combined with the author's own practice experience,give advice on how to play "G Sonata in G minor".In this way,the performer can further perform the "second-degree creation" to better interpret the musical composition and make the performer closer to the composer's intention to create the musical composition.