Discussion On Drama Of Yan Geling’s Novels

Yan Geling,a Chinese writer who has entered the public’s perspective due to the popularity of novels,films and films,has accumulated some influence in the contemporary literary world.Her novels did not deliberately yell and mourn for unjust destiny and people with an evil intention,but with soft and dense brushstrokes,weeping for the changing world in a silent way,praising the unyielding life,and thinking about the transmutation of human nature.Yan Geling is eclectic in the forging of the dramatic life course,and in the flood of history,he has developed a path different from the mainstream.The thesis is divided into three parts: introduction,body and conclusion.Among them,the main body is discussed from three chapters:The first chapter mainly explores the dramatic character settings in Yan Geling’s novels.From the perspective of interpersonal relationship,focusing on the dramatic conflict between the individual and the internal,the dramatic conflict between the individual and the external,and combining with the unexpected dramatic difference in the text,the paper divides the discussion into three sections,that is,The individual gets into trouble in the group,complementary and opposite couples,self lost and dramatic personality internalization.The second chapter mainly explores the drama of Yan Geling’s novel structure.Combining the writer’s text,from the three aspects of suspense setting,double-line care,and the grass-snake gray line method,this article reviews the structural characteristics of Yan Geling’s novels that are compatible with both Chinese and Western languages.This chapter analyzes how Yan Geling’s novel achieves exquisite articles and tight structure.The third chapter mainly discusses the drama of language in Yan Geling’s novels,starting from the drama of monologue,the drama of dialogue,and the irony of language.The first section explores the characteristics of Yan Geling’s narrative in the first person,the setting of imaginary readers,and the creation of characters by monologues.The second section analyzes the actionability,characterization and subtext in the dialogue language.The third section analyzes the dramatic irony in the text through the language that reflects the change of the attitude of the characters.