| Thangka is a unique painting art form in Tibetan culture and a precious intangible cultural heritage.On the basis of documentary aesthetics,the short documentary Painting records the process of Wu Yulun,a teenager from Lanzhou,learning to paint thangka in Xiahe,Gansu.According to the sequence of documentary creation,the director of the short documentary Painting combed and analyzed the early planning,shooting,writing commentary,editing and producing,and final synthesis of the film.This paper explains the documentary aesthetic style,single-line structure,specific grammar and technique of the film from the perspective of the audio and visual language and story-telling.Realistic subject,real presenting.The film focuses on the record and the documentary style of the record.This film emphasize the composition of the documentary style of "shooting,writing,editing" and other links of the language elements.For example,the documentary shooting style is adopted in this film.A large number of fixed long shots are used to record the characters,movements and details of the drawing of thangka.Meanwhile,close-up is also taken into account.The commentary writing is plain and plain,grasping the sound and the picture two scene,for the audience to create a relatively rich sound painting montage space and time;Editing based on documentary narrative montage editing,the pursuit of natural and plain lens switching;Voiceover is a first-person narrative in which the protagonist "he tells his own story".This film presents the story of an urban teenager painting thangka to the audience,with the charm and cultural inheritance value of Tibetan thangka painting embodied in this process,so as to show the inheritance and development of national culture.This paper aims to restore and display the personal thinking and emotional expression of the creator during the creation process of the short documentary.By reviewing the whole short documentary,it expounds the cultural value,recording value and aesthetic value contained in the film. |
