On The Expression Of Contemporary Freehand Brushwork In Oil Painting Creation

This paper deeply analyzes the causes and development process of freehand oil painting,discusses the characteristics and spiritual essence of the highly regional expression of freehand oil painting produced in the development of China after the introduction of oil painting from the west,and emphasizes the uniqueness and creativity of Chinese freehand oil painting through the comparison of different artistic conception creation ways between China and the west,so as to explore and develop freehand oil painting The spiritual essence and artistic charm of zhenche.In addition,this paper also makes a deep exploration and Research on the creative techniques and performance characteristics of today's freehand oil painting painters,aiming to further explore the innovation and development of freehand oil painting in the new era and new background through the research techniques of "from ancient to modern",and truly walk out of the art path with unique national characteristics.In the modern development of oil painting,the realistic way of expression is more and more unable to fully express the subjective interest of the painter as the creator.Making in the global scope,began to a freehand way for artistic creation.In the process of development,from the Impressionism,we can learn the capture of timely scenery and the molding of a moment's emotion,which makes the rigid traditional oil painting gradually come back to life.From Fauvism is to draw exaggeration and strong emotional catharsis.Under the situation of Western painting spreading to the East,domestic artists stand at an unprecedented height,on the one hand,they are carrying out the process of oil painting localization,on the other hand,they are carrying out the research and creation of "freehand oil painting" from the perspectives of theory and practice.As far as the nature of freehand oil painting itself is concerned,it has formed a unique and innovative force in the motherland.The new generation of contemporary freehand oil painters are trying to create a targeted art through their own unique starting point and form of expression.In the aspect of theoretical research,we should actively integrate the freehand brushwork originally derived from traditional Chinese painting with oil painting media,skillfully enrich the painting techniques of oil painting,and closely integrate the interest pursuit of "freehand" into art works.In terms of education and teaching,through a highly profound analysis,deconstruction and reconstruction of the concept of "freehand brushwork",it can be displayed in the daily teaching activities in a systematic image,and carry out the dissemination,inheritance and innovation of freehand brushwork oil painting in a real and effective way.The research nature of freehand oil painting,though in terms of its origin,is a regional concept rooted in the heavy cultural soil of China.However,its unique creative methods and expressions have been unanimously recognized in the world.On the other hand,under the realistic background of emphasizing cultural selfconfidence,the rise of freehand oil painting is not only a force in the field of art or culture,but also an organic integration into a powerful part of the comprehensive national strength.As the goal of building a strong cultural country in the new era,it has a very realistic driving significance.Therefore,to insist on the study of freehand painting in oil painting performance is to insist on the study of nationality in freehand painting,the study of the innovative concept of freehand form in picture performance,and the study of the potential driving force of Chinese literature and art in the process of internationalization.