Textual Research On Lu Xiaoman's Identity As A Painter

Republic of talented woman lu xiaoman body multiple identity: one is xu zhimo widow identity;Second,the literary identity;Third,the identity of the painter.In her time,her painting and literary attainments were praised and affirmed by the people of the time.Lu xiaoman is involved in figure painting,landscape painting and flower and bird painting.However,after her death,lu xiaoman seemed to gradually fade into the public eye,and it was not until 2007 that a paper focusing on her painting achievements appeared and gained the world's attention again.Starting from the literature analysis,this paper tries to make a comparative analysis of the literature records of lu xiaoman in the recent two generations,and combining with the characteristics of the painters in the republic of China,to explore the reasons why lu xiaoman's identity as a painter was forgotten by the art history and the enlightenment it gives us.This paper is divided into three parts: introduction,body and conclusion.The introduction is divided into research status and literature,research purpose and significance,and research contents and methods.Research status and literature mainly reviewed the previous studies on lu xiaoman,focusing on his painting.The purpose and significance of the research is to clarify the reasons and the significance of the topic.The research contents and methods explain the research contents and main methods used in this paper.The text is divided into three chapters.The first chapter is about the painter.An example is given to analyze the characteristics of painters in the history of fine arts,focusing on the characteristics of female painters in the republic of China.Through the analysis of pan yuliang,he xiangning,li qiujun and other painters,it is concluded that the characteristics of female painters in the period of the republic of China are: the innovation of the integration of Chinese and western,the response of the spirit of The Times,and the inheritance of traditional painting methods.The second chapter is about lu xiaoman,the painter who inherited the tradition.This chapter analyzes lu xiaoman's painting and calligraphy works on the basis of the first chapter,which consists of three sections.The first section is about his painting life,and the second section analyzes his paintings of ladies,flowers and birds,and landscape paintings,aiming to conclude from the comparison between literature and painting and calligraphy that his works all inherit the techniques of traditionalChinese painting and belong to the inheritance of traditional painters.The third section is his painting influence.On the basis of the previous section,it is known that he has played an influence on the inheritance of painting skills.The third chapter is lu xiaoman,a painter who comes from tradition and gives us enlightenment.On the basis of previous studies and previous chapters,we know that they belong to the painters who inherit the tradition.Looking back at those painters who can be known by the world in the history books,they all have new innovations in techniques,styles and genres.This also enlightens us that in today's changing society,painters also need to grasp the pulse of The Times,keep up with the pace of The Times,and surpass the tradition and make innovations on the basis of inheriting the tradition.All subjects require innovation,and art especially needs innovation.Innovation in new theories,new techniques,new styles and new schools is the essence of art.Only in this way can we set up a banner in our own field and hope to be a worthy painter in the history of Chinese art.The conclusion mainly summarizes the whole paper,so that the audience can clearly and intuitively have a new understanding of lu xiaoman's identity as a traditional painter,and the enlightenment left to us.