On The Inheritance And Innovation Of The New Mainstream "Blockbuster" To The Artistic Representation Of The Main Theme Film

In the current era of cultural laxity,the aesthetic rules of film audiences and the practical exploration of creators continue to affect the development ecology of new mainstream movies.Under the influence of this influence mechanism,the new mainstream films have begun to explore the commercialization at various levels of artistic representation,and formed the creative attitude of the new mainstream big films gradually.In addition,as an important component of Chinese film,the new mainstream ‘blockbuster' underscores China's transformation from a film power to a film power in the current fierce competition in the world film market.Based on this,this study starts from a diachronic dimension,and compares the new mainstream‘blockbusters' with pre-theme films,mainstream / main theme movies,and analyzes how the new mainstream ‘blockbusters' continue the traditional theme films and make their own art.Representation was renewed,and the new thinking of the current new mainstream ‘blockbuster' was made,so as to clarify the current development situation of the new mainstream ‘blockbuster'.This study takes the new mainstream ‘blockbuster' as the research object,and compares it with the front theme film and the main theme film through a diachronic comparison in content and form.The national spiritual expression and the narrative rules,and the continuation of artistic representations,and will focus on the current mainstream attitude of the new mainstream,and important factors affecting its development.Research analysis shows that in the process of the diachronic development of the front theme film,the theme film and the new mainstream ‘blockbuster',political ideology is no longer the only factor determining the development of the new mainstream film.On the contrary,from the current new It can be seen from the cross-blending types,character image creation,audiovisual language presentation and other dimensions pioneered by the mainstream ‘blockbuster' that the inclusiveness of the political and cultural environment,the consciousness of film creative exploration,and the diversification of audiences' aesthetic needs have gradually become the new decisions Adequate conditions for mainstream film art performance.On this basis,the new mainstream ‘blockbusters' have become an important component of the development of Chinese film subjectivity.Based on the comparative research method,content analysis method,and literature research method,this research has made anti-thinking about the emerging problems of the new mainstream ‘blockbusters' in the current state of digital technology images,business star strategies,and national image depiction.And think about whether the audiovisual disaster formed by digital special effects will cause psychological shadows to the audience,whether traffic stars will reduce the artistic effect of the new mainstream ‘blockbusters' and whether the enchanting of thenational image is reasonable,with a view to creating new domestic new The research of mainstream ‘blockbusters' provides a new perspective.