The Study Of The Technical Difficulties In Deutschmann's Contrabassoon And Piano Sonata

The studies of the contrabassoon performance arts is still in the edge area of the internal bassoon studies.The studies of contrabassoon performance art,is the studies of how to perform contrabassoon reasonably and brilliantly,under any period,style and appearance.Nowadays the industry of internal symphony music is growing rapidly,as a important supplementary orchestral instrument,contrabassoons are taking more and more important positions,but contrabassoon has not be paid equal attention as English horn,piccolo,bass clarinet do.This no doubt restrict the further development of Chinese bassoon art and symphony music.Sonate für Kontrafagott und Klavier,DWV.133,composed by German composer Gerhard Deutschmann,is the most classical and popular contrabassoon solo piece of contemporary time.It is so representative that it almost contains very difficulties of contrabassoon.This article is going to analyze the articulations of famous musicians,and study the difficulties from different aspects like posture,reed,embouchure,fingerings,articulation with the knowledge I have.