Research On A Folk Musican Zhou Shaomei And Jiangyin Sizhu

This thesis takes Zhou Shaomei,who is both folk musician and Chinese traditional music teacher,as the main research object to illustrate how individual folk musician plays an important role in the development of Jiangyin Sizhu,in the way of combining fieldwork,local literature,and music morphological analysis,with Zhou Shaomei double identity as the view pitching-in,try to illustrate folk musician,how to walk in the tradition and the "modern" two roads,accomplish the era of“inheritance and development”historical significance and value.In the first chapter,I trace the history of traditional Sizhu music in Jiangyin region,and delimits its survival area,mainly focusing on the club of Xiangshan Sizhu which is the most representative club of Jiangyin Sizhu,through by research the development history of this club,with this support to preliminarily analyzes the origin of Jiangyin Sizhu,and as the Zhou Shaomei,double identity of the folk musician and Chinese traditional music teacher,leads to the compose of the second and third chapters.Under the identity of the second chapter is the folk musician Zhou Shaomei,according to the folk music of his personal music career,through to combing analysis of“Yang Ba Tan(???)”folk culture background,concept definition,common pieces,the performing forms of walking,music clubs,outline of the JiangYin Sizhu and folk culture life,and the reason why Zhou Shaomei take root in tradition.The third chapter explores zhou shaomei,as the role of Chinese traditional music teacher,how Zhou Shaomei transfer the“heart's score”of Jiangyin Sizhu from“oral tradition”to“score”,and promote the transition of it.Within the historical context,then I try to illustrate individual how to walk in the tradition and the"modern"two roads,accomplish the era of"inheritance and development"historical significance and value.And Zhou Shaomei club and Jiyang club as the representatives of Zhou shaomei heritage,which two how to get new live way in tradition.