Analysis On The Techniques Of Wang Jianmin's Orchestral Works

Wang Jianmin is one of the leading composers in the field of Chinses national music.Therefore,it is necessary for colleagues who study national music works to analyze Wang's compositions in a more in-depth and detailed way,which will give them more enlightment and directions.Based on the large amount of data collection,the author found the following works which have been researched a lot: his national music solos,such as Gu Zheng solos "Capriccio of Western"?“Fantasia"?“Everlasting longing for each other”;The concertos,such as Erhu concertos “the serial of Rhapsody","Fantasy ballade";Guzheng concerto “To Moor at Night at the Feng Bridge".However,there are few studies on Wang's national orchestral works.Therefore,this paper will take Wang's three national orchestral works that have been put on stages,namely "Big song","Stepping song","Capriccio of Yan river" as the research objects,analyzing Wang's unique musical vocabulary basically to some extent from the point of his composing techniques.The full text is divided into three parts: introduction,text,and a conclusion.The specific analysis of the works will be carried out from the composer's concept,harmony features,structural form,orchestration,etc.At the same time,it also makes a preliminary study on how Wang Jianmin combines Chinese music elements with western modern composition techniques.