An Analysis Of The Audio-Visual Transmission Of Characters’Emotions In Chinese Family Ethics Films

Chinese family ethics films occupy an important position in the history of Chinese films.In the past 100 years,Chinese family ethics films have presented unique Oriental aesthetic characteristics and emotional expression,standing in the world’s film forest with their strong ideological and cultural deposits and lingering aesthetic characteristics.This paper combines the creation of xiao bao,a personal graduation short film,to analyze and discuss the audio-visual communication of the characters’ emotions in the classic family ethics film,in an attempt to provide reference experience for the audio-visual communication of the characters’ emotions in the Chinese family ethics film.This paper is divided into three chapters: the common characteristics of Chinese family ethics films and the functional functions of characters’ emotions,the influencing factors and representative types of characters’ emotions in Chinese family ethics films,and the analysis of the audio-visual communication characteristics of characters’ emotions in Chinese family ethics films.The first chapter mainly discusses the common characteristics of Chinese family ethics films and the functional role of characters’ emotions in the films,and briefly describes the creation practice of the short film xiaobao.The second chapter sorts out the cultural characteristics of the Chinese family under the influence of Confucianism,the isomorphism of family and country and the special social background of the contemporary era,and the three types of character represented by the three basic relationships of husband and wife,peers and father and son,and probes into the historical thoughts and social roots of Chinese family ethics films.The third chapter mainly analyzes and discusses the characteristics of emotional audio-visual communication of the classical Chinese family ethics film and the short graduation film xiao bao,in order to explore the audio-visual communication scheme of the characters’ emotional communication in the context of Chinese culture.