From The Spirit Of Bacchus To The State Of Calligraphy Creation

Calligraphy,as a symbol of Chinese culture,has been marked as "Oriental".However,throughout the history of Chinese and Western art thought,the artistic beauty of Chinese calligraphy actually contains Platonic "crazyness" and Nietzsche's "Bacchus spirit".This article attempts to cut through the creative motivation and artistic form of Fu Shan's calligraphy works,and uses Fu Shan's calligraphy as an example to explain the commonality between the "madness" of the spirit of Dionysian and the state of calligraphy creation,and explore the state suitable for calligraphy creation.This article first expounds the meaning and main points of Nietzsche's "Spirit of Dionysian spirit",explores its similarity with Chinese Lao Zhuang's philosophical theory,expounds the relationship between liquor and Chinese calligraphy art,and then analyzes the inner connection between Dionysian spirit and calligraphy creation;Zhang deeply analyzes the internal connection between Fu Shan's tragic life experience and the spirit of Bacchus,and takes calligraphy works such as Fu Shan's miscellaneous books "Rock Miaohan","Twelve Screens for Wei Yi'ao","Crying Poetry" as representatives To study the artistic characteristics of Fu Shan's calligraphy works,to explore the creative state of his writing.By analyzing the spirit of Dionysian in Fu Shan's calligraphy works,it fully demonstrates the similarity between the spirit of Dionysian and his calligraphy creation status;the conclusion part concludes that it is appropriate State of calligraphy creation.Through the exploration and summary of this article,I hope to provide reference for future calligraphy creation for myself and related colleagues.