| Takes the "dual perspective" of ethnomusicology the research object,and takes the practitioners of music inheritance and development as the main research object,and adopts multi-disciplinary research methods such as ethnomusicology,oral history,cultural anthropology,etc.As the entry point of this research,through the research of Li Yuanqing's 60 years of Hani music research and creative career,this paper explores how Li Yuanqing,as a practitioner,seeks the balance of "double perspectives" in his creation and research.By analyzing the representative examples of Li Yuanqing's Hani music creation and Hani music theory research,this paper discusses the inheritance and development of Hani music culture from his own cultural standpoint,and reveals how to use the "dual perspective" of ethnomusicology in his individual works.Through oral and interview,this paper analyzes two representative events in Li Yuanqin's music career,in order to explore how to apply the "dual perspective" research method to field work and music research and creation in a specific historical period.The main body is composed of four chapters.The first chapter mainly explores the background of the formation of the "dual perspective" of ethnomusicology through Li Yuanqing's growing experience in Lincang Yun County and his work experience in Honghe Prefecture;In the second chapter,I choose three different types of Hani style songs by Li Yuanqing and compare them with the material sources of Hani Traditional folk songs.In the third chapter,In the third chapter,through the form of oral history,it tells how Li Yuanqing carried out the ioint research of"insider" and "outsider" in the process of creating the monograph "hanihaba preliminary exploration" and the album "Amice".The fourth chapter explains how Li Yuanqing seeks the balance between the internal and external cultural perspectives in the research and creation of Hani music culture. |
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