The Study On The Fang Xiang Shi Image Of Han Dynasty Portrait Stones

Fang Xiangshi first appeared in Zhou Li in the literature,which described the image and clearly used the objects and scenes.It is an important element in the funeral and funeral system.The etiquette is inherited by future generations.and is used in the main image,etiquette form and application.The scope has evolved,mainly in the two stages of Han to Tang and Song to Ming,It was no significant change in function and the epidemic is based on the expulsion of ghosts.In the Han dynasty,the square and the rituals were combined into one and used for The highest standard of funeral service(Miyagi);since the beginning of the Northern Qi Dynasty,the two have been classified on the object of use,from which we can not only know that its scope of application has expanded,but also that the Han and Jin dynasties have moved down to the rear,and etiquette has begun to be folklorized.The physical Fang Xiangshi is mainly unearthed in tombs,and is rarely found in sites such as ancestral halls.Sculptures and paintings are the main expressions.The medium is diverse.Although the physical representation does not exactly match the Chinese Fang Xiangshi's image described in the literature,it basically retains the bear.The core features of leather,masking,weaponry,and dancing of brothers and feet have different artistic styles in different eras,and there are multiple images coexisting in the same period.The object of this article is the Fang Xiangshi images in the Han Dynasty portraits nationwide,including portraits.Stone,tomb mural,die-printed brick,painted brick and stone(brick)carved sculpture and other material types.Based on the perspective of imagery,the author makes an image description based on the literature's counterpart,and introduces the regional distribution of Fang Xiangshi's image more comprehensively.The comparison analysis was performed,and the image description and image program were used as the main basis for identifying and analyzing Fang Xiangshi.The image characteristics and image connotation of Fang Xiangshi in Han portraits were examined.Some controversies were interpreted.Finally,the function of Fang Xiangshi was discussed.What form is reflected in the image.Many things have been artistically created by people and have become allegorical themes.Fang Xiangshi is a typical image with a function of disgusting and evil spirits inthe tomb.It is mostly expressed in the Han portrait as a bear-shaped appearance.The face person and the monster are decorated on the tomb door and the tomb room.Different areas have different characteristics and positional emphasis on the image performance,which are both connected and different.Due to the limitation of the materials,the academia's prototype problem cannot be solved.However,it can research and judge the images of different eras,clarify the use occasions and functions of Fang Xiangshi,and gradually expand the research field.In the traceback of the cause of the phenomenon,the author basically agrees with previous studies,thinking that Fang Xiangshi and its use originated from The hunting era was related to the legend of the Yellow Emperor and was affected by the military influence of the Yellow Emperor's Tong Chi War.It was based on primitive beliefs,totem worship,and witch culture.It was directly inherited from Chu culture in the Han Dynasty.Studying the Fang Xiangshi images in Han portraits provides a basis for people to understand social existence,ideological advocacy and customs,and reflects the beliefs and value pursuits of the Han people from the funeral behavior.