The Study Of A Drama Anthology Zhai Jin-qiyin

In the late Ming Dynasty,the Qingyang Tune,born in Chizhou,Anhui,was warmly welcomed by the people and spread throughout the country.Anthologies of essays containing a large number of Gundiao also came into being at this stage.This type of anthologies can be used by readers to enjoy reading.It can be used as a handbook when watching drama performances.It can also be used as a performance script on stage.Zhai Jin-qiyin was one such kind of that.This thesis takes " Zhai Jin-qiyin " and the same type of opera selection as its research object,and examines its square engraving features,repertoire attribution,and vocal features,in order to show the true appearance of Qingyang tune in the late Ming Dynasty.The first chapter is the study of the process of the drama anthology Zhai Jinqiyin t studies the background of " Zhai Jin-qiyin " from the perspectives of social fashion,bookstore business model,and drama performance.Contrast and discuss the audience characteritics and market positioning of " Zhai Jin-qiyin ".The second chapter is the study of the time-tuned melodies collected in the upper column of "Excerpts and Sounds".The collection of these melodies reflects the evolution of folk tunes and social trend in the late Ming Dynasty.The third chapter is the study of the content of the repertoire collected in " Zhai Jin-qiyin ",which explores the selection tendency of the subject content in the " Zhai Jin-qiyin " and other texts;Watch how it absorbs the scripts of each tone for its own use.The fourth chapter,the study of the significance of Quxue in " Zhai Jin-qiyin ",discusses its contribution to the preservation and dissemination of drama literature from the perspective of literature;The value of the selected version for the study of the history of opera also affirmed the historical contribution of Qingyang tune and its Gundiao to the development of later-generation tunes and the evolution of ancient opera styles.