A Study On Zhuzhi Ci Of Ming And Qing Dynasty In The Border Area Of Yu,Xiang And E

The border area of Yu,Xiang and E is not only a traditional settlement area of Tujia people,but also a mixed area of all ethnic groups in history.Based on this historical reality,when we expand the original single-ethnic vision,we can see the diversity of Zhuzhi Ci in the whole region.As we comb the development history of Zhuzhi Ci in the whole region,it reveals that the creation practice was multi-ethnic joint participation.The work of Tian Jiuling in the Ming Dynasty was a harbinger.In the Qing Dynasty,there was a developmental upsurge in multi-ethnic creation of Zhuzhi Ci after the "bureaucratization of native officers",but finally the creation level had not been improved much.Poets with different social identities,ethnic and cultural backgrounds,as the main creating subjects,had diversified creating psychology,such as the psychology of seeking novelty in strange region,the psychology of morality in poetry education and political irony,the psychology of local ethnic group identification,and the psychology of seclusion.The object of Zhuzhi Ci in the border area of Yu,Xiang and E was the local people,as representing the local custom constituted its main function.The writing subject expressed the object,thus Zhuzhi Ci were formed in plentiful group images.Distinguished by ethnic group,there are the image of Tujia people and the image of Miao people.Distinguished by social identity,there are the female image and the fisher-woodcutter image.The comprehensive performance of the female image and the return to nature of the fisher-woodcutter image,embodies the breakthrough of traditional poetics.The multi-ethnic communication life with labor as the core is the historical reality of the border area of Yu,Xiang and E after the "bureaucratization of native officers".In this paper,the author emphasizes the reality of local Zhuzhi Ci in order to grasp the holistic feature behind its diversity.