Zhang Dachun's Novel Poetics And Novel Creation Research

Zhang Dachun is an important writer who cannot be ignored in the history of Taiwanese literature and even the history of contemporary Chinese literature.From the emergence of the late 1970 s to the present,he has been working for more than 40 years,and completed many excellent works with novel forms,abundant contents and excellent skills,and published many insightful literary criticisms,covering realism,magic realism,post-ism,news Political novels,historical novels,new martial arts novels,new script novels,storytelling novels,family history writing and other fields have exerted an important influence on the contemporary Taiwan literary world.Looking back on his creative career so far,Zhang Dachun has been consciously seeking innovation and self-breakthrough in the genre,content and skills of the novel.He has the freedom to conduct pioneering novel experiments in various types of creation,which has broadened to a considerable extent.The dimensions and scope of Taiwanese literature.It is worth noting that,behind the different novel forms and fancy dazzling techniques,it is still consistent with its pursuit of novel art aesthetics and keen grasp of Taiwan 's social pulse,the boundary between truth and fiction,and the mystery of lies in the narrative Thinking about how the "Human" can survive in lies.On this basis,Zhang Dachun gradually formed his own characteristics of novel poetics,but the academic circles paid little attention to the work itself,and there was a certain gap.Therefore,this thesis starts with Zhang Dachun's novel poetics and novel creation,and meets at the intersection of theory and creation to discuss the specific theory of Zhang Dachun's novel poetics,the main characteristics of novel creation and the contradiction between theory and creation.The thesis is divided into five chapters.The first chapter is an overview of Zhang Dachun 's relevant research and explains the method and value of the paper.The second chapter analyzes Zhang Dachun 's selfexplanatory fictional poetics,mainly taking “Fiction Barnyard” as the research object and discussing Zhang Dachun 's important viewpoints on novel ontology,art theory and history view summarized his aesthetic understanding of novel art and possible creative principles,found his extreme desire for the free and wild vitality of novels,and actively advocated that novels are great Value,serious narrative rejection and offense;Chapter 3 analyzes Zhang Dachun's creative practice,along with Zhang Dachun's creative trajectory,with "Ji Ling Picture","Four Joys and Worries Country","General Monument","Large Liar" and "Pseudo-knowledge" Apartment Guide,"Listen to Father","People's Quest","City-state Violence Group","Spring Lantern","Datang Li Bai" and other texts,analyze Zhang Dachun's fiction skills in realism,lie writing,postism,new type novels,Characteristics and the author's corresponding novel poetics,from the novel's self-consciousness,artistic methods and return to tradition From the perspective of looking for the specific performance of the author's own novel poetics in his creation;Chapter 4 will study Zhang Dachun's novel poetics and novel creation in a unified way,while discussing Zhang Dachun's practical implementation of his theory,he should also look at its incommensurable points;Chapter five is the conclusion of the full text.This thesis focuses on Zhang Dachun's personal novel poetics and novel creation,and hopes to gain a deeper understanding of its broader literary face,not only confined to the text of the novel,with the assistance of the interaction between the two.Through the analysis and discussion of the unity of opposites,the author's creative attitude and creative inspiration are presented.