Research On Zhang Dachun’s Traditional Narrative Novels

Zhang Dachun is famous of his postmodernism novels and traditional narrative novels.The traditional narrative novels are not only his content has contact with ancient society,but also are trying to complete the creation in the traditional narrative strategy.His traditional narrative novels are divided into two categories,the Chinese legendary essay material novel and the historical novel.In his Chinese legendary essay material novels,Zhang Dachun use imitation of the traditional novel narrative pattern to achieve the purpose of the novel form of storytelling reengineering.The novels are also mixed with the author’ s own identity of contemporary people who can not be excluded from the modern nature,resulting in a kind of experimental results.In the narrative process,Zhang Da.chun accepted the traditional values,which makes the novel’ s narrative surface has a significant certainty.Gender has become an important standard of narrative with reliable certainty.In addition,due to try a variety of intention,make the novel deep with uncertainty,caused by the complicated meaning of the novel.In the reflection of modern spirit,and development the traditional novel function,create a new aesthetic style.Zhang Dachun also use classical Chinese and vernacular Chinese,the dialect of hybridity,in combination of verse and prose in the ancient vernacular novel language prefer prose language use.The novels of antiquity,but it is not equivalent to the real traditional language.When Zhang Dachun wrote the historical novel,he tried to dig out the new way,.And to provide a variety of means for the cultural tradition to be continued in the new era.In the process of creation and the historical data of adaptation,historical scattered become of rivers and lakes in a section of the story,and break up the authority of the official history,let history narration novels can be become a type of new ideas.In Zhang Dachun’ s novels,his style of writing is full of innovation and deficiency.He stressed the artistry of the novel,especially preference of the novel encyclopedia functions.To elucidate novel ontology is complex and free adventure game.In the same time he does not agree with the total and uncritical acceptance of the theory of the western novel.Zhang Dachun attaches great importance to China Standard of novels.After entering in twenty-first Century,he wrote most of the novels in the background of traditional China.In the history of the novel.Zhang Dachun never thought that the novel should serve for the "anti feudalism"and other social ideology.All of his efforts in the traditional novels are based on the literature.For the creation of modern literature,Zhang Dachun’ s traditional narrative novels have formed a kind of"multiple modernity".Zhang Dachun tried to finish the emptiness of postmodernism novel,and pick up the author’ s own subjectivity again.But he does not fully practice his ideas.His ideas and practice have a double paradox.The first one is to show the subjectivity in the style of writing,as the narrator and inheritance and the loss of some of the author’ s subjectivity.While the second paradox appears in the modern theory after Zhang Dachun tried to reject the theory.However,it can not completely give up the way of postmodernism thinking.