Wartime Entertainment: A Study Of Pingtan In The "Lone Island" Period

Suzhou Pingtan is the combined term of Suzhou Pinghua and Suzhou Tanci,which is a popular form of folk art in the south of the Yangtze River.From the end of Ming Dynasty,after a long time development,Pingtan has many famous artists and accumulates a large number of performance scripts.As it also has great development,finally Pingtan become the main types of the Jiangnan region.Since the mid nineteenth Century,along with the social changes in modern jiangnan,Pingtan shows different characteristics in the development and dissemination,whose center has moved from Suzhou to Shanghai.After the outbreak of Anti Japanese War,Shanghai concession became the "Isolated Island",which proveded the chance for Pingtan to disseminate and develop in the wartime.Pingtan become one of the most popular forms of entertainment in "Isolated Island" period.Benefited from the special time and environment,in wartime Pingtan not only develops sustainably,but also showed a certain prosperity.This article takes the period of "isolated island",the artist,the performance screen and the audience in "Isolated Island" period as the research object.This article elaborates the actual situation of Pingtan in the period of "Isolated Island",from the perspective of the book market,the artists and the influence of Pingtan in this period.At the same time,through the comparison with the prewar,this article is expected to restore the evolution and continuation.The first chapter of this article introduces the overall development of urban entertainment in Shanghai in modern times,the development of prewar warheads in Shanghai,and the entertainment industry in "Isolated Island".The second chapter describes the "island" period of the library situation.Through the study of the number of bookstores,mode of operation and other aspects of change,as well as wartime "air library" situation,reflecting the period of the bombs in the concession within the development of the situation.The Third Chapter introduces the commentators of the "island" period.Through the "island" artist art scene,artist life,artist organization and other aspects of the introduction,at the same time with the enemy of the enemy area contrast,to restore the impact of the war on artists and artists in the "island" within the survival of the situation.The fourth chapter expounds the special space-time environment of "islanding" to provide the continuation and survival space for the assessment of the bomb,but also promote the sublimation of the art of Pingtan,and also has no small effect on the formation and development of the music.