On The "changed" And "unchanged" In Zhang Yueran's Novel Creation

From the early years of typical youth literature,Will be lost in the 1890,Far away,The ten love and other works,Zhang Yueran,the author of the "post-80s",who has been successful in the market,has not stopped.During this period,Zhang Yueran exhibited his intention to dissociate the characteristics of youth literature in the novel creation.Besides,she has achieved remarkable transformation in the narrative theme,way,language and characters of the novel.In particular,Cocoon,published in 2016,and the new Big Joe Little Joe published in 2017,have gained a lot of attention and evaluation.Whether the former "post-80s" icon can lead more young writers to achieve creative breakthroughs is also a valuable question.This paper attempts to tease out all the novels of Zhang Yueran,and divides his novels into two stages,which is based on the separation of the novel from the narrative mode.Therefore,the author considers The Bird,which is the first to show the transformation characteristics,as the dividing line between the two stages.Will be lost in the 1890,Destroy,The black cat is not sleeping,The road,Red shoes,Far away,The ten love are the first stage,and The bird,Lake,Home,Swamp,The Cocoon,A firework of animal shape,The wedding dress,Big Joe Little Joe are in the second stage.Based on my own reading analysis and existing research results,the author will compare the two stages and discuss the transformation in four parts: The first chapter elaborates the transformation of the narrative theme of Zhang Yueran's novels.It includes the continuation and breakthrough of its growth theme,the turning of historical imagination and the memory of the times,and the transcendence of love narration;The second chapter focuses on the analysis of the characters and their relations.The first section analyses the transition of the female protagonist,the second section expounds the novel family genealogy is modeled,including violent or absent father image,swallowed,or incomplete mother image and sibling relationships often appear in the novel;The third chapter focuses on the transformation of its narrative mode.It includes the transformation of narrative position,the diversity of narrative perspectives and the change and core of narrative language.The last chapter mainly discusses the relationship between the development of Zhang Yueran's novels and the "post-80s" literature.