Into The Painting Of Gold And Stone-from Wu Xizai To Wu Changshuo To See The Development Of "Jinshi Brushwork"

The quiet rise of the "Beibu School of Thought" in the Qing Dynasty led scholars at this time to take more and more of the stone and stone tablets,which in turn led to the calligraphy revolution.Since then,the book writers have gradually introduced the achievements of"historic science" and "book learning" into the field of painting.While developing the traditional poetry,calligraphy and painting from the three extremists to poetry,calligraphy and painting,they also created a new school of painting.—Jinshi School.The spirit of the stone is the core of the gold and stone painting school.The artists will integrate this ancient and magnificent gold and stone strokes into the painting.With the strong and vigorous strokes,they will pursue the meaning of knife carving and use the heavy ink to seek the gold stone tablet version.Power has formed a kind of artistic style that is different from the simple,delicate,elegant and simple artistic style pursued by previous paintings.The author believes that the introduction of the ancient and imposing Jinshi pens should be a step-by-step process of development,because the development of anything is not accomplished overnight.The same is true for paintings with gold and stone strokes.Wu Xijai and Wu Changshuo,two artists of the Golden Stone School,studied the combination of gold stone learning,fine carving,calligraphy,painting,and poetry,calligraphy,painting,and printing.From Wu Xizai's first emergencies to Wu Changshuo's grandeur in Dacheng,there were actually many The relationship between the thousands of people.In this thesis,the writing style of Jinshi is placed between Wu Xizai,the forerunner of the Jinshi School,and Wu Changshuo,the master of the Jinshi School.The method of combing historiography and image analysis is adopted,and the academic combing is conducted in a typical case manner.For the entry point to trace the development of the stone strokes.In the discussion of the background of the era,the author elaborated that the meaning of the stone and the stone was formed under the Jinshi and the Beibei calligraphy of the Qing Dynasty,combined with the corresponding works of the calligraphy and painting,and based on the image,the interpretation and analysis were made from the brushwork,drawing and other angles.Convulsions,to illustrate the generation of the relationship between the meaning of the stone.