Research On Yuan Zhongdao's Natural Aesthetics

During the late Ming Dynasty,the heart science was popular and the mind was liberated,the darkness of politics has led many literati to turn to nature and seek relief in nature,YuanZhongdao is one of them,he has his unique insights on natural aesthetics.Yuan Zhongdao infiltrated his natural landscape with his cultivation of landscape paintings to understand the charm of natural landscapes through his understanding of landscapes,and to admire nature from the perspective of art appreciation,which opened up a new path for natural aesthetics of later generations.Yuan Zhongdao's natural aesthetic concept not only includes the aesthetic concept of using natural objects as aesthetic objects,but also explores the natural aesthetic concept of literary creation through his own understanding of nature.In the following,the author will elaborate on this.This article is divided into five parts:introduction,the mainthree chapters and conclusion.The first chapter first summarizes the historical origin of natural aesthetics,first discusses the historical development of natural aesthetics in ancient literary theory,and then examines the background of Yuan Zhongdao's natural aesthetics.The impact of the late Ming literary trend on Yuan Zhongdao's natural aesthetics,Finally,it discusses the effect of the scholars'mentality in the late Ming Dynasty on Yuan Zhongdao's natural aesthetics.The second chapter discusses in detail the connotation of Yuan Zhongdao's natural aesthetics,I."Zhen",mainly writes Yuan Zhongdao's emphasis on natural reality and doesn't not mind the use of proverbial proverbs.As long as he expresses his true feelings in his heart,he advocates subtle imputation for adapting to the internal needs of his imperial conscience,words are boundless.Second,"Qu",Yuan Zhongdao'sQu includes the interests of nature,the various interests of people's interests,these smart intuitive sense of interest are to enjoy the senses,it is memorable.3."Dan",Yuan Zhongdao reconsidered his manic aesthetic when he was young,and began to pursue natural plain for the poetry and literature.He laid down the obsession of life and death,sought spiritual support in the meditation and enlightenment,and included unique features in the plain poetry,versatility,faint taste.The third chapter summarizes Yuan Zhongdao's literary theory value of natural aesthetics.First of all,it promotes the awakening of people's self-consciousness at that time;Secondly,with regard to some viewpoints of imitate the ancients,the emergence of the Gong'anschool was to resist the retro fashion of the time,so it was hard to avoid being too radical,Yuan Zhongdao,as the head of the post of the Gong'anschool,made a corrective move,his tradition was ancient,his views on the inheritance and development of ancient traditions not only had a positive influence on the time,but even now it has a great positive significance;finally,with regard to the influence of later generations,Yuan Zhongdao actively advocated innovation and change in order to change the prevailing style of simulation,At the time,He clearly recognized the shortcomings of the post of the Gong'anschool,objectively reviewed and corrected the theory of the Gong'anschool from the perspective of a bystander,and had a direct influence on the Jingling school.