The Sword Of Criticism And The Light Of Thought

Dai Jinhua is a famous scholar who has been active in Chinese and foreign academia since 1980 s.Her literary criticism has important influence and research value.She has important academic writings and contributions in feminist literary research,film criticism,cultural studies and other fields.Dai Jinhua is the pioneer of Chinese feminist literary criticism.It clarifies the development of Chinese feminist literary criticism.At the same time,she also opened the way for film studies,especially in the fourth,fifth,and sixth generation of Chinese films,and contributed wisdom and knowledge to the development of this new subject.Dai Jinhua's criticism has deep theoretical support,and realizes the combination of theory and concrete texts,social historical context and realistic field.Her criticism text full critical spirit and humanistic feelings movement of intellectuals.Dai Jinhua sharp style,sometimes like a sword,burst,shining idea and soul dancer.The main content of this article is divided into four chapters.The first chapter gives a panoramic view and overview of Dai Jinhua's literary criticism.She took the lead in putting forward the concept of "female writing".In the practice of female literary criticism,she restored the "true image of women" and constructed a plateau of Chinese feminist literary criticism.In the field of film research,Dai Jinhua creatively constructed the history of Chinese film culture,and applied himself to the practice of western film theory in film criticism.She is a pioneer of Chinese culture research,making academic contributions to the drawing of contemporary Chinese cultural topographic map.The second chapter explores Dai Jinhua's discourse strategies and their characteristics in the practice of criticism.Dai Jinhua applies the method of "close reading" and "ideological criticism" to the depth of application.The way of expression of Dai Jinhua's literary and artistic criticism is embodied in her favor towards concretion and the formation of paradoxical writing style.The third chapter carries on the ponder on spiritual orientation of Dai Jinhua's literary criticism.Dai Jinhua follow the literary criticism field,in the historical and cultural context of the trend showdown.As an elitist critic,Dai Jinhua sticks to the critical standpoint of academic intellectuals and sticks to the principle of "degree".The fourth chapter reviews and appraise Dai Jinhua's literary criticism.Between "uncertainty and certainty","wearing criticism" needs to face difficulties,clarify positions and trudge.In the western and local criticism discourse in Dai Jinhua to look forward to accommodation,compassion,Cang Jian,clarity of the critical level.This paper is a comprehensive,systematic and comprehensive study of Dai Jinhua's literary criticism.As a approach to the study of Yuan criticism,this paper is not only the touch and dialogue of Dai Jinhua's journey of personal criticism,but also a perceptual look back and rational search for the course of the development of contemporary Chinese literary criticism,and reproduces the spiritual Atlas of a generation of scholars and critics.This study has a certain reference value for the theoretical construction of literature,film and cultural studies.Through solid text analysis and interpretation,this study also has the value as document database,trying to general inquiry into the internal law of literary criticism is made.