On Xiao Hong's Creation In Hong Kong

Xiao Hong,the literary Luo Shen who walks out of the Hulan River,is based on her unique form of writing in Chinese literary circles in the 1930 s and 1940 s.In 1940,Xiao Hong came to Hong Kong,the modern metropolis of British colonialism,under pressure of great public opinion and continued her literary career.In Hong Kong,Xiao Hong’s writing went into harvest.Ther article systematically analyzes Xiao Hong’s creative process and major works in the Hong Kong period.The first chapter analyzes Xiao Hong’s self-selection in the face of Hong Kong’s colonialism and urban culture.Hong Kong’s long hertory of colonialism made Xiao Hong realize that only when the Chinese nation unites to fight against aggression can it achieve national independence and the nation’s prosperity and strength at an early date.Therefore,she often exposes the Chinese people’s passive resistance to colonialism and sends out active anti-Japanese war initiatives.At the same time,Xiao Hong also punished the Chinese people for their irritating behavior.Although Xiao Hong is living in the hustle and bustle of a commercial city,her heart is on the quiet side of the Hulan River.The city’s materialistic influence has not affected Xiao Hong’s religious beliefs.She uses her unique female perspective and exquisite emotional experience to find and explore in the literary world.The second chapter systematically analyze Xiao Hong’s creation in ther period and adhere to the previous creation.The Hong Kong British colonial environment has made Xiao Hong more aware of the importance of promoting the May Fourth spirit.Her creation in ther period is still devoted to the literature of the transformation of the national soul.Xiao Hong’s experience of exile in Hong Kong’s works is inseparable from her childhood experience of drifting away from home for many years.In the exile of an indeterminate home,Xiao Hong used her pen to describe in detail the life of the bottom public in China in the 1930 s and 1940 s.At the same time,Xiao Hong,an intellectual who exiled from the northeast to the customs,has her own independent thinking on the choice of intellectuals at the critical moment of the nation.The persistent pursuit of love,affection and friendship is the eternal theme in Xiao Hong’s works.In the Hong Kong period,creation was to place love,affection and friendship in the conflicts between Western culture and feudal culture.The third chapter analyzes the artistic techniques created during the Hong Kong period.The adoption of the childhood perspective is Xiao Hong’s narrative method of looking back at her homeland.The language of poetry is the eruption of Xiao Hong’s literature accumulation.The soft prosperous and scattered prose culture is theuniqueness of her creation that is different from Hong Kong’s mainstream literature.