The significance of literature as the carrier formation of memory,is one of the important media research and the theory of cultural memory.Literature constructs various imaginations of the past world.It records and inherits cultural memories in the form of texts,enabling the subject to form a self-review in the past.Cognition,confirmation of their identity and group ownership,and the acquisition of spiritual stability and continuity ensure the function and practical significance of cultural heritage.As the classic writer in the history of contemporary literature,Wang Zengqi,after the Cultural Revolution,wrote literary creations with the attitude of "fiction is a memory," creating a "literary vision full of music and picturesque scenery" and using literature imaginative methods to evoke depth.The vision of the past that was hidden in people’s hearts has reconstructed the memory of the past and emphasized the current nature of memory.Wang Zengqi’s practice of returning to tradition has considerable enlightenment for contemporary literary creation,from the perspective of cultural memory.To explore Wang Zengqi’s creation,his writing significance not only stays rich in past memory content,but also reestablishes the relationship between contemporary literature and the old tradition.This article takes the cultural memory theory and Wang Zengqi’s literary text as the research object.First of all,it analyzes and elaborates the development of the cultural memory theory.The evolution process of combing the cultural memory theory is from personal memory to collective memory to cultural memory,of which the literary and cultural memory is inevitable.At the meeting,literature played a certain characterization role as a medium for cultural memory.Then he analyzed the memory of Wang Zengqi’s literary media and specifically demonstrated it as a public space,ceremonial performances,and folk art.He aimed to clarify that cultural memory is based on a textual memory field and presents multiple dimensions of cultural memory,carrying the identity of the subject.Symbolic meaning.Finally,the cultural memory is reconstructed in the form of literary reconstruction.It is embodied in Wang Zengqi’s reminiscent writing and the “harmonious” atmosphere narrative.This transcendence of individual cultural writing not only opposes historical forgetting,but also ensures that the subject possesses past continuity.,assumes the function of cultural construction and better understands the "now". |