Researches On The Later Period Of Wang Zengqi's Novels

The 1980 s was a time of sudden changes.The country was in a state of great disuse and the old writing style had not yet withdrawn from the historical stage.Some keen intellectuals began to try to rebuild new aesthetic tastes and standards.The literary circle was flourishing everywhere for a while,and Wang Zengqi was among them.Wang Zengqi is a writer with a great span of time,which is rare among novelists in the last century.Even after his teacher,Mr.Shen Congwen,arrived in the new era,few works were published.As a unique existence in the field of fiction,Wang Zengqi's creative ideas,content,cycle and enthusiasm deserve special attention.In 1985,it was a time node.After the lyricism of "receiving the precepts",Wang Zengqi stepped into his later years of life agilely.The content and style of his creation changed.The lyricism of beauty and the poetry of life were no longer the themes of his creation.He began to pay attention to the difficult propositions in his life.In his later fictions,Wang Zengqi frequently looks back on his old life and tirelessly wrote about the folk he knows well.In his later years,Wang Zengqi expressed ordinary people's love and death,life and destiny with sober and heavy brushwork,intricate narrative orientation and recollective regional feelings,and made great achievements.This thesis is based on Wang Zengqi's later fictions,and studies his creation in terms of ideology and art.The paper is divided into five parts: The first part is an introduction,which combs the time stages of Wang Zengqi's later fictions creation,shows the achievements of his creation and the general situation of academic research on Wang Zengqi's later fictions,and finds out the shortcomings of the existing research results.Secondly,on the basis of the existing research results,this thesis emphatically points out the ideological and artistic evolution of Wang Zengqi's early and mid-term novels,and further puts forward the research significance.The second part is the first chapter of the dissertation,which mainly analyses the ideological implication of Wang Zengqi's later fictions.Starting from the folk standpoint of Wang Zengqi's later fictions creation,this chapter extracts the basic creative elements such as diet,death and sex,and shows Wang Zengqi's attitude towards exploring and creating the essence of life.The third part is the second chapter of the dissertation,which mainly analyses the artistic features of Wang Zengqi's late novels.This chapter starts with the narrative art and language art of the novel,and explores the article variation in Wang Zengqi's late novels.The multiple changing narrative orientation is an important artistic practice in Wang Zengqi's later fictions.The precise narrative language,the appropriate character language and the sparse and concise "bonsai" rhetoric create a "likeness" artistic atmosphere for the novel.The fourth part is the third chapter of the dissertation,which explores the causes of Wang Zengqi's later fictions creation.Influenced by the environment of the times,personal temperament and experience,Wang Zengqi's late creation mood is complex,and the inner trauma caused by childhood loss and middle-aged changes is difficult to recover.Wang Zengqi in his late years has a strong tragic temperament.In the open creation environment,he cleared his own heart,which can be seen as the original intention of his later fictions writing.The fifth part is the conclusion of the thesis.Wang Zengqi has gone through more than fifty years' creative career with the spirit of constantly seeking new things and changes.In his later years of life,he still made valuable creative practice for the novel of the times.His spirit of advancing and retreating with life and times represents our tenacious and sturdy national spirit.