| In this paper,"board shoe dance" as the main research object,through the analysis and interpretation of the author’s "board shoe",the author analyses the creative methods of the creator,analyzes the creative thinking between the author and the dance works,and analyzes the main and objective factors that influence the formation of the works in detail,so as to discover the inner relationship between the creative subject and the works.In this paper,we share the author’s experience in the creation of board shoe dance from multiple perspectives,and further discuss the importance of the "board shoe dance" in the cultural significance of the Zhuang nationality dance.It mainly aims at the investigation and study of "board shoe dance" in Nandan and its surrounding villages and towns,and accumulates a lot of material through field collection,experiment and other methods.From the material collected by the author,it finds out the problems and more innovative space when the plate shoe dance is used in innovation.As a result,the author further explores the multiple creation trend of the board shoes dance through the personal creation perspective,and through the use of modern dance choreography,the author uses the modern dance choreography technique for the modeling,rhythm,space and the three people’s "Board Shoes Dance".The use and innovation of the plate shoes props are used to find new creative trends,and the spirit of the plate shoes dance is concentrated and fermented with the dance expression of "three people two boards",and the contradiction between the characters and the drama in the dance is aroused and unfolded through the "plate shoe".In addition,through the practice and analysis of three women’s "board shoes" to study the aesthetic characteristics of the plate shoes and the innovation in the use of the dance,this article is based on theory,after practice,and then combined with practical results to a higher level of theory to study this article,the author of the author in the choreography of "Board Shoes Dance" does not.Think in the same view.In this paper,the author also shared a creation process are summarized in different dance shoes to try and feel.The first chapter describes the historical background and geographical environment of "board shoe dance" in the order of "from ancient to present",and analyzes the current situation of board shoe dance from three major levels(dance,academic and other),and clarifies the historical role of board shoe dance in its development,and then puts the angle of view on the creation of board shoes dance to get inspiration and inspiration.The second chapter puts forward the aesthetic characteristics of plate shoe dance,which istransformed from the folk to the stage,with its regional,image,emotional,rhythmic and artistic conception.In the third chapter the author recombines and innovating "the shape,the rhythm,the space and the prop of the three people’s shoe dance" by the modern dance choreography technique,and reexcavate the different innovation in the dance form and the dance language,so as to analyze the root of the individual creative work "board shoe".The fourth chapter on the basis of summarizing and summarizing the ideas of folk dance creation,further explores the cultural significance and value of the Zhuang nationality dance creation,and then analyses the content and form of the Zhuang folk dance creation on the whole.In the combination of "Xie" theme works in conception,to inherit and carry forward the spirit of the sublimation of dance shoes.In the fifth chapter the author puts forward some ways and channels for the inheritance and popularization of board shoe dance through the combination of board shoe dance and teaching,and tries to promote the spread of the value of the board shoe dance from many channels,thus promoting the cultural inheritance of the "plate shoe dance" and the trend of its development in the future. |