Research On The Artistic Form Of Huai Opera In Yancheng Area

Huai Opera,as a local opera with a history of more than 200 years,was listed in the national intangible cultural heritage protection list in 2008 and has a high historical,cultural,and artistic research value.In today's society,the development of the Internet media,and the way of popular entertainment and leisure show a diversified selection trend.However,as a traditional art,the reduction of audience groups is also an unavoidable issue,but it does not mean that it does not have the value of art research.The author of course hopes that the drama in his hometown will live forever on the stage and will continue to inherit and develop.Therefore,he is willing to do a little for the study of Huai Opera.At present,the domestic art research on Huai Opera is basically selected from one of its perspectives,such as singing,stage art,and script.This article mainly studies the Yancheng Huai Opera through three parts:The first chapter discusses the artistic origin of Huai Opera in Yancheng.In order to study the artistic form of Huai Opera,it is certainly necessary to have an overall understanding and grasp of the historical development and formation process of Huai Opera.Through studying a large amount of historical data,the author learned that before the complete Huai Opera was formed,Huai Opera experienced "During the "Cultural Revolution",the period of the "Cultural Revolution" witnessed rapid development after the founding of the People's Republic of China in the period of incense fire drama,"door interjection","three can be sub","embroidered clip can","Beijing clip Huai" period.Decline has been over for some time,but after the Third Plenary Session was held in 1978,Huai Opera was restored and developed.The second chapter focuses on the art of Huai Opera in Yancheng.This paper analyzes the unique art form of Huai Opera in Yancheng from aspects of stage change,role distribution,and language features of Yancheng Huai Opera.The stage of the Huai Opera tradition is"grass and grass".There is no artistic appreciation at all.A venue can be used for performances.The concept of a Huai Opera stage is still formed after the Hui Opera enters the Jianghuai area.Through the study and imitation of the stage of the emblem drama,the Huai Opera began to have a stage for performance.The role distribution of Huai Opera is also learned from the emblem drama.At first,it was only "little,small,and clown".Later,with the introduction of the emblem drama,there were four categories:"birth,dan,net,and ugly."Below the class is divided into many small categories,the role of the distribution of their own characteristics.The Huai Opera's lyrics,recitations,and arias in the Yancheng region also have unique styles.The lyrics and Nian Bai are all sung in the Jianhu dialect.The Huai Opera lyrics are generally grounded and the audience can hear it from the lyrics.The story of this play understands the emotions of the actors.There are two types of Nian Bai in Huai Opera:one is the two types of phonetic programs:"white" and "rhyme white",and the other is "a quote,two whites,three smiles,four cries" and other kinds of performance programs.The tune of the Huai opera aria in the Yancheng area is dominated by "pull tune" and "down river tune." These two tunes are very important in the tune of the Huai opera.The third chapter,sort out the problems existing in Huai Opera of Yancheng,and discuss the development countermeasures.The current situation of Huai Opera is not ideal.There have been many problems,such as the issue of Huai Opera's artistic form and artistic language innovation,the issue of innovation in the drama,and the issue of the survival and development of the Huai Troupe.It is necessary to find solutions,such as art forms and theme innovation.Change the expression of lyrics and white dialects,increase government support,etc.