Research On The Characteristics And Formation Of Huai Opera "Chengqiang"

Since the art of aria music is the most important way of expression in the development of domestic ethnologic opera,the paper takes the most famous art in the Huai Opera "chengqiang" as the research object,which uses singing features of "chengqiang" as the starting point,by interviewing face-to-face with Chen cheng and Huai Opera group in Jiangsu province and providing relevant documents and verification from Zhao zhenfang,a composer of Huai Opera,to learn about the artistic experience of Chen cheng to comb out the historical context of the formation of "chengqiang" and explore its music characteristic.First,on the basis of the traditional Huai Opera singing style,“chengqiang”integrates popular singing style with its own conditions,which helps Chen cheng to use her voice scientifically and makes her singing style more in line with modern aesthetics.Second,“chengqiang” emphasizes the use of the characters' charm,dialect and chromatic color,which has successfully shaped the characters and left the classical passages of the characters to be sung.Third,“ chengqiang” uses Chen school embellishing cavity technique to enrich the singing form "clear cavity".By describing systematically the characteristic of "chengqiang" and tracking back its historical context of formation,it is believed that the success of "chengqiang" is not only due to the opportunity of Huai Opera family and Chen cheng's own adherence to Huai opera,but also due to the focus on a variety of opera inheritance methods and contemporary diversified spreading channels.Through the case study of successful aria music in traditional opera,this paper finds out different opera inheritance methods result in varied effects on the formation of aria music in traditional opera,and thinks about the contemporary development of aria music in Huai Opera and the special singing styles from various artists.