The Meme In Contemporary Painting-the Contagion Of Ideas

Due to the progress of a more materialistic civilization,high-definition digital devices,when in tandem with high-speed Internet,has enabled society to view a multitude of paintings without ever having to purchase artistic prints or visit a local art gallery in person.It seems that all the restrictions have disappeared.However,when we fully reflect upon the history of art and truly manage to establish an understanding of various creative genres and artistic concepts,we find that,when compared with the more restrictive conditions of the past,today's artistic exchanges fail to hold the same meaning and convention.The tract difference of today's painting style is as obvious as ever.In this paper,through the use of interdisciplinary research,memetic theories,and infection models,the perspective of the history of art is explored in order to help explain the reasons behind this style of convergence;this is in addition to exploring how to immunize this creative style of infection that plagues modern artwork.The main reserch work and surmised could be as follows:1.The domestic research on the application of memetics is virtually blank.This article introduces it into the field of painting creation for the first time by studying the significance of concept transmission in a dialectic way.With the establishment of personal style as a demarcation point,one may then be able to dictate the impact of having separate discussions in a more holistic sense.2.The ability to match different individuals of artistic creation using the model of infectious disease allows the intuitive concept to help provide the theoretical basis for understanding the research in the related fields of artistic creation.3.The chance to study how artists can curb the infection of these less meaningful ideas that are influenced by the digital age to themselves and maintain the originality of their creative works.There are many articles about strengthening the innovation of painting.However,they vaguely point out the negative effects of this style and can not explain why artists are so easily infected by external creative ideas.This article is the first to point out the root cause of style convergence.The research question involved in this paper is an important issue in the theory of artistic creation and the actual artistic creation.The research methods and research results used in this paper have important theoretical and practical value for future art academia and art education.