It Is The Study Of Memory Writing In Hirokazu Edema's Movies

After the 1990s,with the prosperity of the Japanese film industry,a large number of outstanding film producers,screenwriters and directing were sprung up,and Hirokazu Kore Eda was a typical representative.In 1995,Hirokazu Kore Eda's first long film,"magic light",brought a great value and honor to Hirokazu Kore Eda.The Golden Lion nomination,the best new director,and the best photography of the Venice film were all the things in his bag.Since then,Hirokazu Kore Eda has become the most attention young director at home and abroad,and has brought audiences pleasant surprises again and again in his subsequent director's career.In the last 20 years,Hirokazu Kore Eda's films have made excellent comments on the film market both at home and abroad,and laid the position and popularity of Hirokazu Kore Eda in the international film market.In a series of films directed by Hirokazu Kore Eda,the theme of growth,the theme of life,and the theme of feelings are the core themes.The social,historical and family events surrounding these themes are often reflected from the details and trivia,especially the plot of the film surrounding the memory behavior.One of the important features of Hirokazu Kore Eda's film.The thesis focuses on the study of memory and writing in Hirokazu Kore Eda's films.First,it discusses the different perspectives of memory writing and Hirokazu Kore Eda film research in the academic field at home and abroad.On this basis,the essence and connotation of memory are carried out from the philosophical,sociological,cognitive psychology and literary fields.Then,the paper analyzes the general characteristics of memory writing in Hirokazu Kore Eda's films,and combs the characteristics and techniques of Hirokazu Kore Eda's works in memory fragments and lens applications.Thirdly,the paper uses specific films as a case to further the aesthetic representation of the writing of the memory of Zhi Yu and the film memory.The study is carried out from four aspects:the family pattern of the memory,the diet in memory,the image of the mother in memory and the old influence in the memory.In addition,the narrative art of Hirokazu Kore Eda's film memory is studied from different perspectives,including the retrospective narrative,the fragments of memory and the reality.Finally,from the perspective of the aesthetic characteristics of Hirokazu Kore Eda's film memory and writing,the thesis combines the social,graphic,experiential and cognitive features of Hirokazu Kore Eda's film memory writing,and sets up the capacity of Japanese flying birds and Japanese culture to foreign culture,and combines the film of Hirokazu Kore Eda to show it.The social culture and social problems were analyzed in depth.