Research On The Writing Of Filiations In Hirokazu Kore Eda's Films

In May 19,2018,Shoplifters was awarded the Golden Palm Award.Director Hirokazu Kore Eda became the focus of world cinema.After Kurosawa,Yasujiro Otsu,Mizoguchi and others,Hirokazu Kore Eda undoubtedly became one of the most dazzling Japanese directors in the world.In recent years,Hirokazu has maintained an average of two years to launch a new creation speed.In the 12 films,there are many descriptions of father son relationship,and father son relationship has become an important writing object in Hirokazu 's films.In Japanese society since 1960s in a "fatherless society" dilemma;in twentieth Century 80,in 90s began to return the traditional human appeal,the two groups are related to each other,overlapping social facts as writing background,and contact with the "patricide" and "seeking father".Hirokazu in the movie writing showing the contents of the ethical"patricide" and the spirit of "seeking father" in two dimensions."Patricide" aspects related to the director's own experience.Hirokazu inevitably carries the common memory nightmare and psychological parameter of Japanese:the fact and expression of "no father society".In the works of "no father in society" and related "patricide" psychological,ethical performance for patriarchal loses,his contradictions and mourning behavior.The content of "seeking father" is manifested in the search,memory and identity of the father in the spiritual world of the characters.The content of the film must rely on certain artistic expression and resort to the screen.The director narrated the family life of the father and son carefully and specifically through the control of the three aspects such as the loose structure,the changing view and the limited time and space.The director presents the mental space of the father and son through the camera outside the column,reveals the delicate emotional changes between the father and son with the subjective view lens of the characters,and depicts the calm daily life of the father and son with the detailed sound.Symbolic rhetoric,director of artistic conception and individual memory into the parent-child relationship in the writing of the train appeared,butterfly and private car image,were given their symbolic meaning beyond the past,mourning and affection of the guardian.In the comparative study of Hirokazu Kore Eda and Yasujiro Otsu and Yamada Yoji's three directors,it is found that the three directors is around the theme of family,but the connotation varies jfrom person to person.In the film of Hirokazu,the family changes;in the film of Ozu,the family speaks of social changes;in Yamada's film,the family carries the happiness.The plot of family disintegration is the starting point in the film of Hirokazu,showing the life of father and son;in the writing of Ozu,as a sad ending,it shows "disillusionment of happiness";in Yamada's image,it presents the beauty of life.This expression follows the tradition and thread of Japanese literature.The three directors have their ovwn expression methods.The father son relationship in Hirokazu Kore Eda's movies also has great inspiration for the writing of father son relationship in Chinese movies in the integration of the times and the national character and the construction of personal style.