The Aesthetic Research Of Zidu Qu In The Southern Song Dynasty

"Self-created Song" is a form of literary creation that has appeared in the Han Dynasty.It means that someone who masters the melody to create a new song,to be used as a tunes song,and then fill in words.This concept confirms that the symbiotic relationship between music and literature in Chinese culture is most vividly expressed in the Song Lyric.Song Lyric is a typical "Word-music".The intrinsic lyricity is characterized by external musicality,and external musicality affects the internal lyricity of the organizational structure.During the Southern Song Dynasty,due to the further development of Chinese standard culture,the culture that return to elegant was prevailing.Returning to elegant,means music creation achieving moderate,and literary creation achieving "Qingkong","Yazheng".A new aesthetic paradigm of Song Lyric began to appear.That aesthetic paradigm and the conflict of music and lyrics crated a cultural atmosphere for Song Lyric,especially for Self-created Song.Some poets like Jiang Kui have dedicated their lives to creation.Although Jiang Kui's seventeen self-created Songs can provide partial evidences for the study of today,the songs of Shi Da-zu and Wu Wen-ying didn't preserve the music scores.We also can trace the traces of music flow while the natural rhythms of Chinese characters.First of all,Self-created Songs use seven acoustic scales to measure the sound of vocals,while the three major and minor thirds simultaneously make the music smooth.Secondly,the flat tone of four syllables from the self-created songs should be coordinated with the ups and downs of the music.The density of the rhyme level should also be related to the sound conditions,which can reflect the music effect of the beautiful music on the phonetic sound.Thirdly,the concept Gongdiao which includes key and mode should coordinate the artistic conception.From the macroscopic point of view,the rhythm began to solemn and elegant.In the melody and music structure,the general performance of the single bisection,two parts have different ideographic functions.Self-creates Songs made by poets.During the process of creation and performance,both creator and recipient can experience the blend of self and others and the potential dialogue between subject and object.These aesthetic images ultimately belong to the subtle and meaningful cultural psychology.