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A Comparative Study Of Female Images In The Paintings Of Qiu Ying And Shen Runfu In The Late Li Dynasty

Posted on:2019-08-06Degree:MasterType:Thesis
Country:ChinaCandidate:M Y JiaoFull Text:PDF
GTID:2435330548481587Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Qiu ying Ming dynasty famous painter in China,good at painting people,however,especially long work,according to records,his works had spread east Asia countries,and has profoundly influence on the local genre painting.Shen runfu,a painter at the end of ancient Korea,was an outstanding representative of women's folklore painting,whose work permeated the essence of Chinese women's paintings.Both artists are good at portraying female figures,and they have inherited and innovated in their respective fields of painting,creating the female characters of the era with their unique style.Ancient Korean always has a variety of communication with China,the two countries in the aspect of culture and art produced,the correlation of solidarity,meanwhile,it also indirectly by China's access to western Christian print art,from the concept of western painting and elements,the development of China's Ming and qing engraving also helped to its generation,it is this kind of eclecticism,make Korea to develop national culture.Through the two female images in the works of the painter,depth analysis of their respective life circumstances,the difference between the evolution of painting style and techniques,they compared the same genre paintings expressed different painting spirit and aesthetic connotation,from all-round,multi-angle of female images in the two painter painting to interpret them.
Keywords/Search Tags:Qiu ying, Shin yun-bok, Beauty painting, Femalegenre painting
PDF Full Text Request
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