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On The Use Of Black And White Woodcut Language In The Print Creation "Impression Of Tibet"

Posted on:2019-02-12Degree:MasterType:Thesis
Country:ChinaCandidate:L LiFull Text:PDF
GTID:2435330548481637Subject:Painting
Abstract/Summary:PDF Full Text Request
Through the analysis of the composition of Tibetan Impression,this paper expounds some understanding and understanding of the use of black and white woodcut language in his creation.Special emphasis was placed on the construction and characters of Tibetan temples as the main body of the creation,and the black and white woodcut language was studied.The use of black and white woodcut print language plays a role in determining the quality of the works in this creation.Black and white woodcuts are to refine the objects to be depicted into black and white language for creation,which has more precise requirements for the modeling structure of the objects to be depicted.The art of black and white woodcut is characterized by strong visual impact,artistic expression and appeal.In this creation,the use of black and white woodcut language is mainly represented by line modeling,and the shape structure and morphological characteristics of the object are characterized by line modeling,and the direction of arrangement of the black and white woodcut midline modeling is different: parallel or cross;Or the shape of the line modeling is different: straight,long,thick,dense and other artistic languages to depict.In addition,different knives are used in the creation to combine various knife methods to express the texture,sense of quantity,and sense of space of the object.The expression forms of various lines modeling and the use of knife method deepen and expand the use of black and white woodcut language.
Keywords/Search Tags:black and white woodcut language, Xi Zang, lines
PDF Full Text Request
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