The Use Of "force" In Dance And Its Aesthetics

The dancer perform any action in the dance,the force and dance exist simultaneously,without force,dance will not exist.Each movement of the dancer requires the coordination of multiple parts of the body,organs and muscles,and all dance movements need to be based on "force".The point of penetration of this paper is the "force" in the dance,with the help of the basic theory and knowledge of dance anatomy and mechanics,and connecting with practice to conduct more in-depth researches of the "force" in the dance and sort them out.Taking ballet training as an example,this paper makes a deeper exploration and innovation through the anatomy of the ballet movement,and makes a research and analysis with a new angle of "force".The author is discussing from the origin of "force" in dance,the application of "force"in ballet basic training and the beauty of "force" in ballet.Everything is developing,the traditional way of dance training is also constantly being explored and updated,it is a theoretical summary of my practice in ballet basic training combining with traditional teaching.Viewing ballet from the perspective of "force",analyzing the force-exerting characteristics of human muscles and learning the starting point of ballet through enumerating the movements of ballet.Letting the students understand the key points of the force in ballet from a scientific point of view,have a deep understanding of the force in dance and realize the beauty of dance from different angles,for which can help students master the behavioral essentials of standard ballet more accurately and quickly,and reduce unnecessary detours.This thesis is mainly aimed at the interpretation and exploration of "force" in the dance and the status and importance of "force" in dance.Through the example of ballet basic lessons,exploring the application of force in dance and the exert of force in dance,thus making "force" rising to the level of aesthetics,and ultimately serve the stage show.The thesis is divided into four parts.The main contents are as follows:Chapter 1:introduction.Firstly,the significance of this topic is introduced.Secondly,the current situation and methods of the research of "force" in dance are analyzed.Finally,the innovation of this paper is clarified.Chapter 2:"force" in dance.This chapter starts with the concept of "force" and understands the relationship between force and dance.Through the comprehensive summary of different perspectives from Laban human body rhythm of "force","force"of William wegman,dance of Suzanne Langer-fantasy "force" and "force" of Wu Xiaobang,describing the "force" of dance is a "motional art" and different dance cannot leave the "force",and summarizing "force" in the dance.Chapter 3:the application and significance of ballet training to "force".With the aid of human anatomy theory basis,and according to the characteristics of the dance course at the same time,this chapter states in view of the dance movement system briefly.In accordance with the order of the lower limbs,trunk,and upper limbs bone and muscle of dance movement required for dancing are briefly described,and the type of dance force required by the joint and the correct way to exert force are analyzed.Finally,the significance of the correct method of force-exerting is obtained.This chapter is both a summary and an innovation of the concrete application and significance of "force".Chapter 4:the beauty embodied in the ballet training.Through the stability,controllability,buffering,speed,explosive power,elasticity and durability,to analyze the beauty of ballet.The aesthetic feeling of different kinds of force given to each person is different,the effects of different kinds of force play different roles,and each kind of force is distinctive of its own.