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A Study On The Sacrificial Rituals And Music Of "Vivid" In Wushan, Gansu

Posted on:2019-03-06Degree:MasterType:Thesis
Country:ChinaCandidate:T ChenFull Text:PDF
GTID:2435330548964621Subject:Music
Abstract/Summary:PDF Full Text Request
The "God Express" ritual is a folk ritual ritual circulated in the southwestern region of Gansu Province.It is also a folk art form with folk beliefs as its core,integrating song,dance,and music(drums)into one,and it is also a Fuxi culture with Tianshui.Prehistoric culture and farming civilization are inextricably linked.Therefore,this article takes the "Goddess of Rites" ceremony in Qingshan Village of Wushan County,Tianshui,Gansu Province as the specific object of study.Based on three field investigations,the region' s "Expressive" ritual is first performed from four aspects:living space,structural form,music and dance analysis,and spiritual metaphor.Interpretation,and placing it in the concept of cultural anthropology,to explore and tap the deep connotation and meaning behind the ceremony and its music.The full text is divided into six parts.The first part of the introduction revolves around the ritual and its related concepts of music,methodology,and the relationship between rituals and beliefs.Through the induction and review of previous research on rituals and ritual music,it is possible The three stages of domestic ritual music study,and summed up and studied the theory and methods of ritual music research;the second part starts with the living space of“tranditional" ritual music in Qingshan Village,and expounds the natural environment and cultural environment of the region.A brief retrospection of the origin and distribution of the stream was conducted.The third part objectively described the structure of the "transhipment" ceremony in Qingshan Village,that is,the ritual process.The fourth part gave a detailed description of the"tranditional" ceremony of Qingshan Village.The music and dance forms were analyzed in terms of performance forms,structural characteristics,tunes,lyrics,dance movements,and ritual field maps.The "near-far," "fixed-live," and“inside-outside”two-level variable thinking methods were used.The musical principles of ritual music are used;the fifth part explains the general functions and specific functions of the ritual and ritual music,and uses culture King relying insight into the relationship between Castle Peak Village "vivid" ceremony and farming civilization,the prehistoric culture;the last part is the conclusion of Castle Peak Village "vivid" and music ceremony made a summary.
Keywords/Search Tags:expressive ceremony, sheepskin inspiration, ritual music, cultural implication
PDF Full Text Request
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