A Study On The Ritual Music Of Dong Dationality Sacrificed To "Sa" And Its Cultural Interpretation

The object of this study is the ritual music and its cultural connotation of the January ceremony in the villiage of Lundong.The author explore the historical evolution of Dong nationality and its origin from the diachronic point of view,and then analyzes its ritual process and ritual music from the synchronic dimension.Finally,from the philosophical point of view of“inter-subjectivity”,we can take a look at the January ceremony of Lundong,organically unifying the history,beliefs,rituals and music mentioned above,and becoming the last chapter of argumentation materials.In order to reveal the music of the ceremony of the January in Lundong,this paper analyzes the "true coexistence" and "aesthetic consensus",and explains the "interactive relationship" among them in order to explore the hidden interaction in the music culture of Lundong's worship of the“Sa”.in order to reveal the mode of ceremony music's existence and internal cause.The Lundong January ceremony music mainly consists of three parts: field,faith,music.From the point of view of intersubjectivity,the author analyzes the causes of the formation and the way of existence of the three,that is,the formation and existence of the internal cultural elements in the interaction,that is,the intersubjectivity.Since intersubjectivity always holds the posture of construction,the interaction between subjects will inevitably lead to the construction of culture.From this,it is concluded that the formation and existence of the ritual music of the Lundong “Sa” worship.It exist in the "inter-subjective nature" of the various elements of the internal culture.If each of the elements is no longer the intersubjective interaction,then the activities of the sacrament will cease to exist.