An Analysis Of The Drama Conflict In Guan Hanqing's Plays

Guan Hanqing is an outstanding dramatist in the Yuan Dynasty of China.He created a large number of Yuan poetic drama and Yuan verse during his life.He has made the most achievements in drama and achieved the greatest achievements.He is a world-class drama master with many excellent plays passed down to the present day,which embody very sophisticated creative techniques.Most of these techniques conform to the laws of drama in the modern academic sense,and can play a guiding role in the current dramatic literature,especially Traditional Chinese Opera literature.However,in the research history of Guan Hanqing,which lasted for more than 700 years,the researchers did not pay much attention to the compilation and summarization of creative techniques.The research results of Guan Hanqing's creative theories are very scarce.In the current research field of Guan Hanqing's creative theory,attention has been paid to Guan Hanqing's creative techniques,and specific and microscopic perspectives such as the construction of conflict of dramaturgy have also attracted the attention of researchers.This article takes conflict of dramaturgy as the starting point,carries out analysis and research on Guan Hanqing's concrete plays,and conducts three stages of discussions:In the first stage,according to Guan Hanqing's plays,it comprehensively discusses the general situation of conflict of dramaturgy,it highlights the relationship between conflict of dramaturgy and character,action of drama and theatricality in the discussion,and classifies conflict of dramaturgy on this basis.In the second stage,based on the categories of conflict of dramaturgy,forms such as external dramaturgy and internal dramaturgy within Guan Hanqing's plays were separately discussed.Furthermore,to summaries the unique use of the conflict of dramaturgy in Guan Hanqing's works,and to conduct an in-depth analysis of the Drama " Snow in Midsummer",which has a special drama effect by using a variety of conflict of dramaturgies.In the third stage,based on Guan Hanqing's creative techniques related to the use of conflict of dramaturgy,to refine the dialectical relationship between conflict of dramaturgy and character,action of drama,situation of drama,etc,and explain the experience and enlightenment it brings to the drama creation process.This article briefly discusses the conflict of dramaturgy in Guan Hanqing's plays and obtains some inspiration from his creative experience,hopefully,it will produce a certain reference value for the current drama and Traditional Chinese Opera literary creation.