Danto's "final Art Conclusion" Is In China

Danto's �the end of art� extends to China.Liu Yuedi's nominal interpretation of �end� and Zhou Xian's analysis of the end of art from the perspective of modernity,Pan Gongkai's normality and abnormality all expand and enrich the connotation of Chinese aesthetics.It is not limited to the discussion of the topic of �artistic conclusion� itself,which also permeates in the thinking of Chinese art and has a profound influence on the development of Chinese art.The method of research literature was used to first examine the ideological connotation and origin of Danto's �the end of art� theory,and specifically analyzed domestic scholars' views on the end of art,focusing on three aspects: What is the end of art? Will art end? After the end of art.The discussion of �what is the end of art� is reflected in three aspects: noun interpretation,the end of narrative meaning,and the distinction between �general� art and �individual� art;From the perspective of the comparison of artistic natural and artistic evolution,the perspective of modernity and post-modernity,and the influence of digital media on art,we can conclude that art will not end;As for the art after the �the end of art�,there are three viewpoints: the return to traditional art,the unpredictable future of art,and the separation of art and non-art.The last is the key chapter of the full text.It focuses on the influence of Chinese art discourse and the end of art on Chinese aesthetics and art.The first section analyzes the differences in the characteristics of Chinese and Western art from the perspective of philosophy.This leads to the There are differences between China and the West in the �end of art�.But in the end,we coexist on the same earth.Many problems are similar,the challenges of new media,and a reexamination of the relationship between art and life.In the face of these problems,try to find a reasonable way out for them.With the intervention of western culture and arts,we adopt mutual understanding and complement each other.The influence of digital media on art,daily life and the art world must be entwined with the narrative of Chinese artistic spirit and overcome the so-called nihilism.Establish a �heart� and enjoy the beauty of life,and then look to the world and assume the mission of mankind.The epilogue has combed the evolution of the �end-of-art� issue and reiterated the point of view of this article: Resolving Chinese art problems with Chinese art discourse and establishing Chinese art spirit narratives to rebuild cultural confidence.